Infographic for Disability Visibility

Hello friends, to celebrate the first month since the launch of DISABILITY VISIBILITY, I commissioned a piece by artist Elizabeth Hee (@lizar_tistry on Instagram) for my book. It’s a fun way to share details from my introduction in a visual form (see below).

Upcoming book event

August 8, 2020, 7-8 pm Eastern, Disability Visibility Virtual Discussion with Sandy Ho and Alice Wong, hosted by Partners for Youth with Disabilities. CART and ASL interpreting will be made available. “Join us this August for a virtual book event with editor Alice Wong in conversation with Sandy Ho, a contributor in Alice’s new anthology, Disability Visibility: First-Person Stories from the 21st Century.” This is a free virtual event and 5 free copies of the book will be raffled off among those who register: https://learn.pyd.org/webinar/disability-visibility-virtual-book-discussion-with-alice-wong-sandy-ho/

30th Anniversary of the ADA

#ADA30InColor, a series of essays by 13 disabled people of color about the past, present, and future of disability rights and justice by the Disability Visibility Project.

Episodes 82 and 82a from the Disability Visibility featuring interviews with Conchita Hernandez Legorretta and me (yes, the tables are turned)!

Infographic by Elizabeth Hee

Image description: Infographic titled “Disability Visibility: First-Person Stories from the Twenty-First Century” with a yellow, pink, turquoise, pastel green, and pastel purple color scheme. A green circle next to the title reads “Staying alive is a lot of work for a disabled person in an ableist society.” Another green circle reads “About the editor - Alice Wong” is above a doodle of Alice Wong, an Asian American women in a power chair and a blue shirt with an organize, black, white and yellow geometric pattern, wearing a mask over her nose attached to a gray tube and bright red lip color; and a speech bubble reads “What I have always been opening to accomplish is the creation of community.” Text reads “In high school, Alice read an article in Time about accessible public transit and wrote a letter expressing her wish for it to expand” with a doodle of a hand with a blue pencil and purple nails.” An arrow points to text reading “The letter was published in a subsequent issue - the first time Alice advocated on record as a disabled person, and sparking curiosity for more stories” with a doodle of a Time Magazine cover with a bus with a wheelchair ramp. Another arrow points to text reading “In surrounding herself with these stories, Alice found and developed her own voice. Her collection led her to community” and another arrow points to text reading “In 2014, disabled people through the U.S. were preparing for the following year’s 25th anniversary for the A.D.A” and a doodle of a party hat that reads “Happy 25th Anniversary.” Another arrow points to “Partnering with Storycorps, Alice created the Disability Visibility Project, a way for disabled people to celebrate and preserve their stories” with an image of the cover the “Disability Visibility” book. Another arrow points to “These kinds of stores - the funny, personal moments in disability history - are just as significant as those about leaders and politicians. We need more of these stories.” A curly bracket points to text reading “What started as a small oral history project kept going and blew up into A Movement” with a doodle of a person in a purple wheelchair facing away from the reader and a sign in a cement bucket that reads “Rights for the Disabled - Sign 504 Unchanged!” A sub-header reads “Community is...” Text reads “Political” with a doodle of a ballot box with “#CripTheVote” written on it, “Magic” with a doodle of a blue book with white sparkles and “#CripLit” written on it, “Power” with a doodle of the yellow Disability Visibility podcast logo of Alice Wong, an East Asian woman with purple sunglasses, red headphones, and a mask over her nose attached to a gray tube, and “Resistance” with an image of the cover of “Resistance and Hope: Essays by Disabled People” (a dark blue cover with colorful fungi and the “o” in “Hope” is a moon, with addition text “Crip Wisdom for the people”). Another sub-header reads “Bringing all of these collaborations, connections, and joys to the page.” A blurb of text reads “Just in time for the 30th anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people. For Harriet McBryde Johnson’s account of her debate with Peter Singer to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to congressional testimonies, and beyond: this anthology gives a glimpse into the rich complex city of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.” A column of text titled “Being” lists contributing authors “Harriet McBryde Johnson, Tallis A. Lewis, Maysoon Zayid, Ariel Henley, Jen Deerinwater, June Eric-Udorie, Jeremy Woody as told to Christie Thompson, Jillian Weise, Liz Moore.” Text reads “When I first read Harriet McBryde Johnson’s ‘Unspeakable Conventions,’ about debating a Princeton prof. who believed people like her should not exist, it shook me to my core - she brilliantly outlined the lived experience of ableism in very real terms. I no longer felt alone in questioning and defending my work.” There is a doodle of Harriet McBryde Johnson, a light-skinned woman with long braid of brown hair, in a wheel chair wearing a red dress and smiling toward the camera. Another column titled “Becoming” lists authors “Ricardo T. Thornton Sr., Sky Cubacub, Haben Girma, Diana Cejas, Sandy Ho, Keah Brown, Keshia Scott, Jessica Slice, Elsa Sjunneson, Zipporah Arielle.” Another column titled “Doing” lists authors “A. H. Reaume, Rebecca Cokley, Alice Sheppard, Wanda Diaz-Merced, Mari Ramsawakh, Shoshana Kessock, Ellen Samuels, Reyna McCoy McDeid, Britney Wilson, Lateef McLeod.” Text reads “In ‘The Beauty of Spaces Created For and By Disabled People,’ s. e. smith describes the transient alchemy that happens when disabled people come together in the same space - their writing leaves us steeped in the beauty, creativity, and ingenuity of disabled people. There is a doodle of a person with orange hair and purple shirt in a wheelchair on their back with their arms extended, balancing another person on their legs, the second person is in a wheelchair and wears a green shirt with their arms extended. A fourth column titled “Connecting” lists authors “Eugene Grant, Patty Berne as told to and edited by Vanessa Raditz, Harriet Tubman Collective, Karolyn Gehrig, Leah Lakshmi Piepzna-Samarasinha, Jamison Hill, Stacey Milbern, s. e. smith.” A bottom section has text that reads “Plain language summary by Sara Luterman” with a doodle of a piece of paper with blue text and design and a blue pen; text reading “Discussion guide by Naomi Ortiz” with a doodle of two people talking, on with light skin wearing a black bandana and blue shirt, the other with light skin, short brown hair, and glasses wearing purple shirt and holding a green mug; and text reading “Audiobook narrated by Alejandra Ospina” with a doodle of Alejandra, a light-skinned Latina woman with glasses and headphones. Final text in a yellow circle with a doodle of a flower at the top reads “For more about the book: https://disabilityvisibilityproject.com/book”; “Twitter: @SFDireWolf @DisVisiblity”; and “Published by Vintage Books.” On the far right side of the image in small text reads “art by @lizar_tistry.”